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Showing posts with label etsying. Show all posts
Showing posts with label etsying. Show all posts

Monday, December 13, 2010

Are You Finished Your Holiday Shopping?

I am.

What about you? Still looking for something that hard-to-shop-for black sheep in your family? Four of you might luck out with the last of the items in my shop.

Tuesday, March 2, 2010

Off for a While

Hello lovelies. I am leaving for vacation tomorrow evening, going to Ireland with my partner and my family. I am a big miffed that I can take neither felting needles, nor sewing needles, nor knitting needles on the plane. I had planned to start and maybe even finish a two-headed fox plush, but I suppose I will relegate my racing brain to reading, crossword puzzles, and additional attempts at illustration that vary in degree of success.

But anyway, this is just a note that my shop will be closed for the duration of the vacation and perhaps for some time after that, while I clarify what it is I am doing with it. I have been marketing somewhat furiously, to positive results, but have found myself low on inventory. Again. I would sort of like to plan some great big re-opening after I have boxfulls of plushes to list. But I also sort of know I may never have boxfulls of plushes. I'm also not sure I'd be able to sell boxfulls. I understand that my niche is very, very small, especially if I continue to make what *I* like (and why wouldn't I continue that?). I sell things that people don't need. I sell things that are weird. My work isn't cheap, either, because of how labor intensive it is. None of these things lends itself to me quitting my day job.

I'm also considering converting my shop to 100% charity--as in all proceeds (after my supplies are covered) go to a good cause. I don't make things for money; I make them because I have to. I think I might feel less gross about all the marketing and shilling I do for myself if it wasn't actually for myself.

Ah, so many thoughts going through my head. We'll see where this head is after I return from the Emerald Isle.

Tuesday, February 23, 2010

Work in Progress: Crock and Allie!

I'm hoping to get these darlings finished and in the store before I leave for Ireland in a week. A week!!

Sunday, February 21, 2010

Needlefelting 101

My first video! The first of many, I hope. I had a superfun time making this.

This is an introduction to needlefelting--how and why it works, what you can do with it, and a brief demonstration of how to do it. Enjoy!


Friday, February 12, 2010

Progress on the WIP


I'm still working on the Big Bad Wolf, and I just ordered new wool in case I run low. I've been watching The Prisoner with Chris, sewing and needling beside him on the couch. His cat is obsessed with the wool I'm using and takes every opportunity to bat at the pieces or steal them if he can.

I started with a wire armature skeleton: spine, ribs, and pelvis all attached together. The head is polymer clay and wool felted right onto the armature. I used a reclaimed wool sweater to cover the skeleton, like skin, and I stuffed it with polyfill guts. I'll now be able to felt directly into the wool "skin."

I've wet felted all four legs, and added the claws to the back paws. Last night I sewed the back legs onto the pelvis and added an additional armature to keep them stable and spread at the right width. I may walk down to Beadazzled this evening to pick up a few glass beads for the eyes.

More progress later...

Sunday, February 7, 2010

SnowMFG

I will resist the term "Snowpocalypse" as long as I can. It's not terrifying. It's not the end of the world. But it is pretty freaking annoying. I was out trying to shovel my car out, but the jerk who parked in front of me shoveled out first, left, then came back...parking only inches from my bumper. So I would have to shovel out the back of my car, and back up before I could even know where I could pull out. The second annoyance was where to put the snow. It seems no matter where you shovel it, you know you're just going to be shoveling that same snow again later. You're basically just moving the same snow around to different places. The third pain-in-the-youknowwhat is knowing that once you get your car relatively clear, the snow plow is going to come down the road and block you in again. The only real solution is just to wait for it to melt. Thankfully I'm parked on the sunny side of the street....



I've been holed up at my boyfriend's apartment, watching movies and working on my Big Bad Wolf project. It's coming along quite nicely, and I might even finish it before the weekend ends.

Oh yeah, and there's that Superbowl thing tonight. I can't wait for the commercials.

Tuesday, February 2, 2010

Scarlet O'Hare - Altered Art Doll

The idea of Scarlet O’Hare came from the dress. I was in the Goodwill in Bel Air, standing in the checkout line, and this gorgeous/hideous doll caught my eye from across the store. It stood about 18” high, and was at least half again as wide. The doll’s head was as creepy as any doll’s head is (uncanny valley, anyone?), with horrible hair and soulless eyes. But the dress was pretty stunning. I had been needlefelting a lot lately, and was in the midst of a mild rabbit obsession. I almost immediately pictured a beautiful white hare in the dress.

Within a few days, I purchased the black glass beads for the eyes and had needlefelted the shape of the head in white merino and added some black and pink detailing around the eyes with alpaca wool. She didn’t have ears, whiskers, or a mouth yet. This was probably two years ago. Then I put the head somewhere, moved twice, and almost forgot about it, except when I would open my storage closet and see the gigantic doll with the creepy eyes sitting up on a high shelf.

Over the weekend, I resolved that finishing this doll would be the next thing I did. I spent a few hours during Saturday’s LOST marathon working on the ears. It is really difficult to get an ear to the right shape and size, with enough leftover wool to attach it to the head. It’s doubly difficult to make a second one exactly like it. Then last night, I watched Confessions of a SuperHero and finished the facial features, including nylon thread whiskers, and the paws. Attaching the finished features was a lot easier than I had expected it to be, and I think the finished product looks pretty organic.

I’m so happy to get an image out of my head and out into the real world and have it look like I pictured it. It doesn’t always work that way. Here’s to another finished project!

Sunday, January 31, 2010

Keep Regretsy Pure

I had the good fortune of finally finding out about Regretsy.com from my friend Kelly at the Stitch n Bitch the other week. It's kind of funny that I was such an early adopter of Etsy.com but so late to find out about this brilliant non-parody parody. If you haven't checked it out, it's worth an hour or two of your time just to hunt around and laugh out loud. Basically, the site finds those crafts listed on Etsy that are a little too clever (to the point of being ridiculous or stupid), or that look like they were made by your 4-year old--just the stuff you can't believe someone thinks they can get money for.

The thing that disappoints me, however, is that there seems to be this movement starting of "regretsy-inspired" items on Etsy. "Regretsy" is even becoming more of a common tag on Etsy. People are purposely putting up crap, because they think it's funny... as if Etsy isn't crowded enough without this going on. It's completely against the spirit of both sites, and I am disappointed at the crafters who would get on that ride.

If you are a skilled artisan and can make beautiful objects that people want, that's what you should do. If you are making crap and are self-aware enough to label it "regretsy-inspired," just stop. You're not doing anyone any favors. Leave Regretsy for the completely unaware--that's what will keep it funny, and that's what will keep Etsy honest.

Saturday, January 30, 2010

Stephen Colbert Hates Bears



I bought this gigantic stuffed bear at Goodwill for $5, intending to reverse taxidermy it and use the fur for other projects. Fur fabric is 'spensive, for one, and for two, it's not green to keep fabricating new things from new materials--so I often purchase old stuffies on the cheap and use their hides.

But this guy grew on me. I let him ride around in the back seat of my car for a while, and I would eye him in the rearview mirror, picturing what I was going to do to his face with scissors and a sewing machine. I started to feel guilty. Now he's sitting in my bedroom looking all cute, and I wasn't sure I'd have the heart to cut him all up.

Then I saw (NSFW) this. And now I'm kind of uncomfortable having him in my bedroom...possibly thinking dirty thoughts. Thanks, Regretsy.

He's getting cut up.

Friday, January 29, 2010

Thursday, January 28, 2010

Feng Sew


New View of My Work Area
Originally uploaded by Elly Zee

I’ve never put much stock in the whole Feng Shui thing, but I am now a believer that the arrangement of your room can affect your energy. Since I moved into my apartment in August of 08, my bedroom has been arranged exactly the same way. Sometime in 2009 (probably around NaNoWriMo time), I bought myself a desk, so I could really hunker down on my writing.

The desk promptly became a dumping ground for all manner of mail, clothes, paperwork, and anything I needed to get out of the way. My cats also liked to lay on it, so it was usually covered in fur, too.

Meanwhile, my dining room table had my sewing machine on it. Every time I wanted to dine on the table, I had to take down the sewing machine and set up the placemats and settings. Every time I wanted to sew, I had to move all the dining accoutrement (usually onto the desk…). It was becoming annoying. I stopped sewing so much. I started eating at the coffee table.

One day a few weeks ago, right after I’d scheduled the Stitch ‘n’ Bitch, I started thinking hard about how my apartment would look to a strange—especially to a stranger of the crafty mindset. And I realized it was set up all wrong for my needs.

The desk was in the darkest corner of my room, against a wall, with nothing pretty to look at. It was too close to the bedroom door, which could never fully open, and also too close to the front door, where I would enter looking to plop down my mail, laundry, or purchase on the nearest flat surface.

My bed was in the middle of the room, sticking out into the biggest space I have in the whole apartment, cutting it in half, and making either side of the room basically useless.

By the bedroom window, in the sunniest, prettiest area of the whole room, was a loveseat that I never sit on. It looks nice aesthetically (except when it’s covered in laundry), but I don’t sit around in my bedroom; I sit in my living room.

Because my desk was all but useless, my dining room table had become the only place to sit and sew or sit and type. But it, too, was in a dark area facing a wall. Nice for a romantic dinner; not pleasant for sewing curtains.

None of this made sense. Thankfully, the answers were all simple.

I moved the loveseat to the living room. It effectively “cuts off” my living room from my dining room. They are really the same room, but with the visual barrier of the loveseat, it’s like I now have a living room AND a dining room. It also gave me more seating for having lots of guests over (like the 11 people I was expecting for Stitch n Bitch).

I moved the desk to where the loveseat had been. Now I had the sun streaming in through the window and it immediately increased the energy level around the desk—as well as my desire to sit at it for long periods of time. I arranged a table behind it that could hold my printer when I was printing, or hold the new light box I had constructed for taking photographs. The light box needed to be near the window to catch the sunlight, and this was the perfect place. The desk was also now too far away to be a convenient place to stash any odds or ends. It now only holds crafting supplies and papers having to do with my creative writing.

Then, I moved my bed to where my desk used to be. The dark corner of a room is the best place for a bed—the place you want the darkest. I’m also loathe to stash anything on my bed, so it’s okay that it’s near the front door. It also leaves the middle of my room wide open. This makes me feel less cramped, but also provides a lot of floor space for laying out large pieces of material. I was also prompted to call my landlord and have her fix the light fixture in the middle of the room that had been broken for the better part of 2009—I suddenly needed it.

Since I’ve done this rearrangement, I’ve done more sewing, crafting, marketing, writing, and work than I ever had. I’m not drawn to the couch because I don’t feel like cleaning off the desk. I’m drawn to the sunny, organized creative nook I’ve made for myself.

There are additional notes on Flickr.

Tuesday, January 26, 2010

Return of the Two-Headed Chick

I spent Saturday morning finishing up this custom order, then spent Saturday afternoon dyeing wool to make a new version of one of my all-time favorite creations.


If you've never dyed your own wool, it's actually really fun and easy. I use Kool-Aid--it's fast, cheap, easy, clean, and I can get a variety of bright colors. (Please keep in mind, though, the dyeing I do is for artwork, not for wearables, so I don't know how Kool-Aid holds up in the laundry....)


I had plain white merino wool that I'd bought last year at the Maryland Sheep and Wool Festival. I love this wool. I recently used it to spin some beautiful thick-and-thin yarn. It's actually a little too soft and smooth to be a great felting wool, but thankfully, the dyeing process seems to "open" up the fiber shaft and, afterward, it felts like a dream.


To get the pale yellow I needed for the new chick, I chose lemonade. You need about one packet per ounce of wool per quart of water.


I put two packets of lemonade into a large pot of cold water and added the wool, gently pushing it down into the dye bath. Then I cranked up the heat and brought the mixture to a boil, letting it boil for about 10 minutes. Be careful not to agitate the wool during this point (like I did) or it will start to felt in the dye bath. This turned out to be okay for my purposes, but it would not be okay if I was planning to spin.

After the wool has "cooked," it will have sucked up all the dye, and the bath will be clear water. I placed the wool in a colander and rinsed with cold water. Because Kool-Aid is technically a food dye, it's okay to use kitchen utensils.

Last step is drying. I hung it in my shower, and it was dry and ready to use in a matter of hours.


This is the final product, currently for sale in my Etsy store. Last time I made a chick like this, I had the most trouble making the legs and getting it to stand upright with good structural integrity. This time, I circumvented that by having it sit right in an egg! I found these beautiful fake plastic eggs at JoAnn's that actually look like real eggs. The base is a dab of spackling squeezed through a pastry tip.






Thursday, January 21, 2010

Back in Action!

I spent nearly all of my autumn working on a major work project in Houston, TX. I'm just starting to recover from weeks on end of 14-hour days. What's proven to be the best medicine? Making. I have a sewing machine, a digital camera, free time in the evenings, and more motivation than ever. Ellyzee.etsy.com is back and open for business!